--Psalm 22. 16-18
No wonder we turn away. We want our God to be clothed
perhaps like Pope Benedict with his Prada shoes, golden cloaks and bejeweled
scepter. Pope Francis puzzles us.We want God’s cross to be decoration—perhaps set with a single
diamond. We want our God to be the powerful one who fills TV churches and
football stadiums to hear some football player or beauty queen talk about Jesus
in glowing terms. We want our God to be covered in lilies and alleluias and
Easter splendor.
But not here. Not yet. It may seem like Sunday—but Friday is
surely coming. We cannot turn our faces away from this ugly tenth station. The
soldiers stripped him bare. And in this stopping-off place he is one with the
weakest and the ugliest and the most shameful. And so we don’t linger long in
that room where he/she writhes in agony until her/his gown shows everything. We
don’t like to look at the sordid ugly face of pain and woe. There is no dignity
here—naked and vulnerable as he is. And so whoever it is that has ever been
stripped bare of all their trappings—naked and ashamed—he is one with the
victims of every indignity:
Illegal
queer
nigger
wet-back
sissy
stupid
fat
ugly
whore
retarded
bastard
sorry—no-good
lesbo
dumb
bitch
welfare
queen.
We cannot turn away from this naked vulnerable Jesus. For
here we ponder one of the greatest of the God-mysteries. He stands with every
shame and every humiliation and every injustice. Which means, I think he is with us all—this broken naked Jesus
really does have the whole world in his hands.
Not only the loss of love of self—which we all know—not only
the stigmas we carry in our bodies—which we all despise...not only the snubs
and slights that hurt so terribly—that have crippled us all. Whatever indignity
the world pours out on any of its children—God is there. No wonder the
Carmelite nun found its powerful truth even behind locked walls of a convent:
“I came upon earth’s most amazing knowledge someone is hidden in this dark with
me.” We cannot ignore this
tenth station—it takes us all in and that may be the wonder if it all.
(I am indebted to the First Baptist Church, Aiken, South Carolina for sharing these beautiful renderings of the Stations. They are the work of the African artist, Bruce Onobrakpeya whose renderings can be found in museums,galleries and private homes throughout the world. The artist was a pioneer in printmaking, elevating the technique to a level recognized as a major art form. These 14 Stations were first linoleum-cut prints. His original stations can be found in St. Paul's Church in Nigeria.
The powerful sculptured piece, entitled "The Prodigal Son" is by Sculptor, George Grey Barrard and can be found in the Speed Museum, University of Louisville, KY.)
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